Feminist Reading of The Yellow Wallpaper
Images of women creeping around behind cover that is yellow and grotesque, defiled by esoteric patterns with images of bulbous eyeball and strangled heads sounds like either the work of a brainy impressionist or the ravings of a lunatic. While the story whitethorn overtly appear to indicate the latter possibility, closer interrogative reveals that the wallpaper is non merely an obsession of a half-crazed woman, however a metaphor for a patriarchal farming that completely constrains women and limits their freedom.
The narrators credibility is first undermined when she says of her husband John laughs at me, of course, but one expects that in marriage (667). This line shows that not only does her husband not take her seriou glib, but that matrimonial inequality is a normative occurrence. Her husband laughs at her desires and beliefs, but she feels she has no power to change her secondary status. ... He scoffs openly at any talk of things not to be felt and seen and put down in figures (667). The only thing that is visible in society is male domination, and the facts and figures are also dominate by men.
If John cannot see beyond the literal, to embrace credit in change, there is no reason for the narrator to believe that she can change his worldview, even though she disagrees with his ideas.
The narrator is not permitted to print. Her physician husband insists that it is a detriment to her health. I did write for a while in spite of them; but it does fag out me a good deal - having to be so sly about it, or else meet with heavy opposition (667). This indicates that the author has a desire to break free from the oppressive dictates of her husband,
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