mask I of Shakespe be?s Twelfth Night conjures up several(prenominal) distinctive thoughts. The play?s elements of comedy and tragedy are constant, creating a story full of adventure, passment and puns. However, the prevalence of impulses and the jolly distorted view of sack out found within the number 1 act cause a warped and at generation illogical tale to emerge. It is for these reasons that I was most strongly force by the first act?s tendency to move at an accelerated rate and thereby to sacrifice what I find are key elements of the story.
The theme of distorted love was without a doubt a central aspect of Act I. All of the characters? emotions seem to be driven by their whimsey in love at first sight. Both genus genus Viola and Olivia fall for their love interest with days, even minutes, of first conflict them. Viola?s declaration ?whoe?er I woo, myself would be his wife? (I, iv, 42) referring to the Duke comes as a complete surprise. These strong emotions to link develop within three days of their meeting, and there is marginal information given as to their origin. The love story in the midst of Olivia and Cesario is also very rushed and without reason. After one clangour with Cesario, Olivia talks about love saying ?even so quickly may one catch the plague?
? (I, v, 299) which demonstrates how apace these emotions have developed for her.
Characters continue to act on curt more than whims throughout Act 1, hastening the storyline with little epoch for logic. Within minutes of being introduced to Viola in stab II, she makes the leap from being just washed up from a shipwreck to deciding that it is necessary for her to dress up as a man in order to work for the Duke. Viola?s quickly made decision to become a man...
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